As with “A Christmas Carol” and the Grinch, every generation gets its own version of “The Nutcracker,” it seems.
The latest incarnation of the E.T.A. Hoffmann story is Lasse Hallstrom and Joe Johnston’s “The Nutcracker and the Four Realms,” a hokey oddity that glissades along with a few charms and a pleasant score by James Newton Howard heavily incorporating themes from Tchaikovsky’s ballet (though there’s little dancing).
Children who are 10 and under may be enchanted by the abundantly whimsical holiday-themed visuals; accompanying adults might chuckle at the movie’s leaden attempt at a girl-empowering message. Anyone squeamish about rodents — even ones that have been rendered sort of cute by CGI — might consider steering clear.
On Christmas Eve in Victorian-era London, Clara (Mackenzie Foy), a budding inventor, receives a special, egg-shaped box left for her by her recently deceased mother. With it is a note that reads in part: “Everything you need is inside.” But lo! The key to unlock the egg is nowhere to be found, and thus her journey to discover what lies inside it (and, of course, herself) unfolds.